Unexpurgated text of complete interview, partially published in October 2004 by The L magazine in New York City. Also available on Byrne’s website.
Q: As a solo artist you have worked with horn sections and now with string sections to color and embellish your songs. Aside from a more cerebral and cinematic atmosphere, what narrative abilities does a string section give your compositions that a horn section does not? Continue reading “David Byrne Looks Forward . . . and Back”